Cartography of Matter
2026, 60×80 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, travertine, acrylics, waxes, patina, glass grit
Intersecting circular forms come together as a map of an unknown surface. Large discs marked with concentric traces suggest orbital paths or fragments of an ancient mechanism. Mineral layers and multi-layered patina evoke time leaving traces of corrosion on the material. This is not a map of a territory, but of matter itself — its layers, fractures and transformations.
Emerging Pattern
2026, 60×80 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, travertine, acrylics, waxes, patina
Here, the ornament seems to emerge from within the material rather than sit on top of a finished surface. Repeated layering and partial removal make the pattern alternately clear and barely visible. A restrained palette brings the varied areas together, drawing attention to the relief and to the way the ornament appears, disappears and re-emerges.
Old Wall. Silence of Ornament
2026, 60×80 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, travertine, acrylics, waxes, patina
An architectural border frames a field of layered ornamental structures. The warm ochre palette brings them together in a single relief, recalling an old wall marked by different periods of time. The ornament remains visible, yet can no longer be separated from the texture: both have become parts of the same surface.
Imprint of the Surface
2026, Ø 30 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, travertine, acrylics, waxes, patina
The radial ornament draws towards the centre, then gradually breaks apart and dissolves into an uneven, almost broken outline. The transition suggests a found fragment: as if this were a cast of a partially lost surface that has retained its inner pattern. The mineral texture and muted tones emphasise the uneven passage of time recorded in the material.
Trace of Time
2026, Ø 35 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, travertine, gypsum, acrylics, waxes, patina
The round medallion is built around a contrast between two states of the surface. On the left are traces of architecture: chips, old plaster and an emerging ornament. On the right, a heavy folded form recalls petrified fabric or ancient metal drapery. The two textures seem to belong to different objects, yet remain held within a single form.
