Archive Surface
2026, 20×30 cm
Mixed media technique: relief, stencil, multi-layered patination
Materials: textured plaster, gypsum, clay, acrylics, waxes, glazing compounds, patina
An ornamental structure emerges beneath the upper relief, alongside traces of decorative fabric, fragments of damaged coating and a central architectural element. The layers do not form a fully legible narrative: each area has its own character and degree of preservation. The surface resembles an archive that can be examined closely but never reconstructed in full.
Archive Structure
2026, 40×40 cm
Mixed media technique: relief, stencil, multi-layered patination
Materials: textured filler, plaster, gypsum, clay, acrylics, waxes, glazing compounds, patina
Ornament and dense texture gather around a central knot. The material does not serve as a background; it shapes the composition itself, giving it weight and directing the eye. The concentrated relief makes the centre the defining feature of the surface, while the surrounding areas support and complicate it.
Archive Layer
2026, 38 cm
Mixed media technique: relief, stencil, multi-layered patination
Materials: textured filler, plaster, gypsum, clay, acrylics, waxes, glazing compounds, patina
Textile imprints, ornamental fragments and damaged layers form an uneven field. There is no single centre: the eye moves from one trace to another, gradually assembling an image from separate parts. The work occupies a space between preservation and disappearance: the surface retains many traces but no longer reveals where they came from.
Archive Fragment
2026, Ø 24 cm
Mixed media technique: relief, stencil, multi-layered patination
Materials: textured filler, plaster, gypsum, clay, acrylics, waxes, glazing compounds, patina
A small, irregularly shaped relief object is crossed by a fracture line. Different traces survive on either side: textile texture, architectural ornament and a floral knot at the centre. They seem to belong to the same object, yet do not form a story that can be fully reconstructed. The fracture becomes a boundary between what remains and what has been lost.
