Section of Structure
2026, 40×30 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, acrylics, waxes, patina
A complex ornamental pattern holds the centre, while the edges recede into a dense, almost stone-like mass. Tension arises between the two areas, as if the ordered structure were resisting the damaged texture around it. The composition reads as a fragment of architectural surface that has retained part of its original pattern.
Fragments of the Lost
2026, 60×30 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, texture paste, acrylics, waxes, patinas, mineral fillers
The vertical form ends in an uneven edge, as though part of an architectural layer had been lost. The ornament survives only in fragments, emerging from within the material. The focus is the boundary between what remains and what is gone: the broken edge becomes as important to the composition as the surviving relief.
Architecture of the Layer
2026, 80×30 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: textured plaster, texture paste, acrylics, waxes, patinas
The surface builds layer by layer, like sedimentary rock in which the past is preserved in successive deposits. Geometry holds the form as the material gradually gives way to dense texture. Light emphasises the rhythm of cracks and mineral layers, turning the vertical composition into a kind of cross-section in which each layer bears its own trace.
Disappearing Structure
2026, 40×30 cm
Mixed media technique: stencil relief, multi-layered patination
Materials: texture paste, acrylics, waxes, patinas
The ornament appears unevenly: in some areas it remains distinct; in others, it almost dissolves into cracks, dense patches of texture and traces of pressure. The surface seems suspended between coherent form and disintegration. The structure has not disappeared entirely, but it can no longer hold itself together.
